About
My story
When I first started singing, I didn’t have high notes.
I would push through songs I loved, end rehearsals exhausted, and constantly feel like my voice was holding me back. I didn’t understand how to warm up properly or how to prepare for a performance.
I was told my voice was “too low” for the songs I wanted to sing. For a long time I believed it—and it left me feeling stuck.
Then I started looking for answers.
Everything shifted when I began training in musical theatre voice and acting. I discovered how deeply the voice is connected to the body and emotional intention—and how much opens up when you stop protecting and start expressing.
That experience became the foundation of how I teach today.
Now I help singers access the range, freedom, and confidence I once struggled to find.

My background
I trained in Italy and the United States in both classical and contemporary vocal techniques, with a focus on musical theatre voice.
I am a certified instructor with the Institute for Vocal Advancement (IVA), and have further training in Estill, Somatic Voicework, and Lessac.
As a performer, I’ve sung internationally and released my original album Down the Rabbit Hole, recorded in Nashville.
I also hold certifications in music theory and solfège from the “F.A. Bonporti” Conservatory of Trento and Riva del Garda, as well as a certificate in music business and songwriting from NSAI.
My teaching approach
Most singers don’t struggle because of talent.
They struggle because their vocal coordination isn’t developed enough yet.
My work focuses on developing that coordination so singers can express whatever they feel without the voice becoming a limitation.
I use a cross-training approach that combines classical (bel canto) and contemporary techniques (mix and belt), grounded in speech as the foundation of singing. This creates a voice that is flexible, stable, and adaptable across styles.
How I work with singers
What changes for singers
Singers I work with typically move toward:
- more reliable high notes without pushing
- smoother transitions across their range
- the ability to move between styles with more freedom
- a stronger connection between technique and expression
- more confidence in rehearsals and on stage
Work with me
If you’re unsure where to start, a vocal assessment is the best first step. We’ll identify what’s happening in your voice and how to move forward.

